Un Borghese Piccolo Piccolo (1977)

This Italian film, translated as 'An Average Little Man', is relatively unknown and difficult to source, but it is one of those movies that once seen becomes unforgettable. It stars Alberto Sordi, best known as a satiric comedy actor in more than 150 films, who began his career back in the 30s dubbing Oliver Hardy into Italian, and who moved into international recognition with his roles in Fellini's early 50s films "The White Sheik" and "Il Vitelloni". I watched him recently in another little-known Italian flick "The Scopone Game" (1972) co-starring with Bette Davis believe it or not.

Anyhow one might expect yet another comic turn from this versatile actor and the movie certainly begins in that way, but soon moves into the blackest of black tales. Sordi is Giovanni, a Roman government jobsworth, married to hausfrau Amalia (played by Shelley Winters no less), desperate to get his beloved son Mario, newly qualified as an accountant, a coveted post with the government against fierce competition. Giovanni has cosied up to his superiors and has even agreed to join their Masonic Lodge in his attempt to get his son preferential treatment. Mario, a hangdog gormless youth, reminiscent of the young Gene Wilder, is coached, coddled, and blessed by his doting parents, before going off for the final examination. However, as Giovanni escorts his son to the exam venue, they get caught in the crossfire of a bank robbery, and poor Mario is shot dead -- a heap on the pavement with his seven pens spilling from his pocket -- his assassin's smug face burnt into Giovanni's memory.

The news is broadcast on the telly causing Amalia to suffer an irreversible stroke. Giovanni is now faced with both the loss of his beloved son and having to do everything for his helpless wife. When he is brought into police headquarters to identify the culprit in a line-up, he deliberately chooses not to point out the hated face; instead he trails the young man, patiently waits to accost him, knocks him unconscious, and takes him to his country allotment. There he binds the chap with wires and generally abuses him until he dies-- having wheeled in Amalia in her chair to admire his handiwork. The film which began as a jaundiced view of Roman society segues into sub-Tarantino "Reservoir Dogs" torture porn. 

It was really no surprise finding Winters (or Davis for that matter) in an Italian movie, since many fading Hollywood stars found work in the booming European film industry back in the 1970s. Winters made a number of appearances in Italian films, normally dubbed of course; however in this movie little dubbing was needed to since she was both paralyzed and mute for most of the story. She did, however, manage to suffer beautifully!

Despite the film's macabre tone, director Mario Monicelli, manages to poke fun at society's many foibles. Most memorable of these are Mario's initiation ceremony into the Masons (I have no idea whether the bizarre rituals are realistic or not) and a scene at the cemetery where Mario's coffin in stacked with hundreds of others -- occasionally exploding ones -- in a huge warehouse since there is a shortage of space for new graves.

As for our hero who is of retirement age, he is cut loose to 'enjoy' his retirement, being given the smallest of medals to mark the occasion, and being generally ignored by his erstwhile colleagues. Then Amalia dies. Giovanni is overwhelmed with sadness and despair. What is left for him? Well there are the brash young men that he encounters who remind him of his son's sad fate -- just maybe they deserve punishing as well...

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